French New York: Chef Daniel Eddy's pocket of Paris in the Bowery

The Journiest chats with the American Michelin-star chef about Psilakis, Ducasse, Passard, and the power of vegetables

Springtime is when New York City unravels from its icy shell; tulips peak out their vibrant heads, grilled street meats waft tantalizing scents in every direction, and a potpourri of tourists migrate here like sweet-singing birds, chirping in all sorts of languages. One of the most common species of foreigner in New York is from a nation that was America's first ally and remains a strong source of influence to this day: la France.

If American interest in France's election is just a small indication of our connection, there is a strong historical and cosmic exchange between the two countries. Just look at our two major cities, New York and Paris. Look at the expat movement, where Paris became an artistic new home to young Americans of the Lost Generation, disgruntled by the impact of World War I. Look at the iconic work of Parisian artist Vahram Muratyan, whose obsession with New York sparked a beautiful collection of illustrations. North America was another land of opportunity for the French, who had fled across the Atlantic seeking religious freedom as early as the 1500s. We have both been heroes of monumental triumphs and victims of heart-piercing tragedies. Our connection continues to grow over the fields of politics, education, business and more. But the best way to see the massive French influence in New York is in its food.

Chef Daniel Eddy Daniel Krieger

Meet Chef Daniel Eddy. The son of a Nicaraguan and an American, his logical career choice was to pursue French cuisine. Huh? Starting strong in the kitchens of Michael Psilakis, a chance opportunity to cook for a visiting French chef sparked his decision to go to Paris. There, he was transformed by the markets, by the lifestyle, and by the French cooking philosophy, which he brought back home to New York after three years. He opened up Rebelle in 2015, a nouveau French, frou-frou-less kitchen right in a neighborhood that you'd never expect: the Bowery. Chef Eddy is full of surprises.

Rebelle is a beloved space for both Americans and French alike, offering a refreshing reboot of classic French dishes infused with visual American flare. In anticipation of the opening of his new restaurant in Philadelphia, Chef chatted with us about his love of dichotomies in food and culture, his choice to abandon the roux, and how Paris is touching New York, neighborhood by neighborhood.

[Editor's note: This interview has been edited for length and clarity]

What exactly drew you to French food and Paris?

I guess what drew me initially to French food was travel. When I first started cooking in New York City, I was working with Michael Psilakis at his first restaurant. One day, Alain Ducasse came in. I had no idea who Alain Ducasse was at this point in time, but my chef did, obviously, and he was freaking out and very animated. The following year, we had opened up a second restaurant and Alain Ducasse came back in. Again, my chef was freaking out: "Alain Ducasse is back in the restaurant!" I still had no idea who this guy, Ducasse, was. Anyway, I was asked for two dishes off the station I was working on, so I put up two dishes, and he looks at me and says, "They better be the best dishes you've ever cooked."

I thought, once I'm done working with Mike, I'd love to go work with Alain Ducasse. I finally did my research and found out who he was, realized that he had a restaurant in Paris, then said, "Well, I better go to Paris." I didn't speak any French, I didn't know where I was going to live, I didn't know where I was going to work. I just kind of packed my bags, got on a plane, and would just figure it out when I got there.

Katie Burton

When you got established in Paris, did you notice any big differences between American and French kitchens and chefs?

I think culturally, what I realized was there was more balance in France, especially between work and life. For the first four years that I cooked, I worked six, more often than not, seven days a week and the restaurants were running every moment of the day. Then I got to Paris, where restaurants close for two days a week, and there was a balance of life that I found incredible; it was just so foreign to me. I think that tied into a lot of people's approach of life and food—laissez-faire—and that balance helps keep things a little bit more in line.

Did you know anything about French food before arriving in Paris?

No, this was my first time working in a French restaurant. I learned some French techniques along the way like how to make some sauces and how to make a roux, very standard, basic stuff. But I never dove into the actual culinary history.

Did you find a particular French dish that inspired you?

I can't say that it was a specific dish, but it was the markets, the bakeries, and the vegetable stands. Just the way that the city is structured, you never went to a supermarket; you went to your vegetable vendor, you went to your meat vendor, you went to your fish vendor. Then you looked at [your ingredients] as individual entities and brought them all back together to create something. When I went to a cheese shop, I knew that's what their specialty was. You could go there and get so much information; just the level of education that there was about food overall was incredible. The fact that you were walking by the stand and they were cutting melons and giving out cherries for you to taste, to see the product before purchasing as a way to entice you. It was a much more engaging exchange in the culture between the food, the vendors, and the buyers.

Do you find a difference now between the markets in Paris and where you get your food today for Rebelle in New York?

No, because I've really worked hard to continue to build relationships here and marry that with what I experienced over there. I'm at the farmer's market four days a week and I have friends who have farms in Martha's Vineyard where I usually will try and get a whole pig or lamb. I've done what I can do to make sure that I keep contact with the fishermen, with the people who are raising the animals, to try and create a more connected environment.

Besides the food, did you apply those other aspects of French culture to your personal life as well?

One of the things I learned for the first time in Paris was the importance of having two days off consecutively. While I can't say I've ever had that for myself since opening the restaurant, I've definitely implemented that on all of my staff. It's important for everyone to take two days off to just step away, to have a break from it all before returning. I want to be able to offer more of a balance of life.

Aside from [French] restaurants being closed two days a week, [they're] also closed for a month of the year—two weeks in August and two weeks in February. I try my best to make sure that I can offer people that opportunity to do something else so they can come back inspired by something that they've experienced, and can bring that inspiration to the kitchen and to the food.

What I've tried to create since the beginning is allowing staff to feel empowered, to take the initiative upon themselves to create a dish and then see that dish come to the menu. It's not like, "I'm the chef, I write the dishes, and that's it." I want to allow them to use that as a place to explore and find their own creative voice.

Katie Burton

After three years in Paris, what was the moment you knew you needed to come back to New York?

It was a few things. I always had a timeline in my mind of when I wanted to open up a restaurant. When I first started cooking, I told myself that my 20s were going to be dedicated just to learning and to working for others. When I hit 30, that's when I would really try to pursue opening up a restaurant on my own. It just sort of all came together.

But you didn't lose that French spirit. What were you looking for in the location of Rebelle? What was in the Bowery that was ripe for your restaurant?

When I first walked into the space, I hated it. I said, "It's way too big, this is ridiculous." Going from a 44-seat restaurant to look at a place that's 120 seats can also be a bit daunting. But as somebody who grew up in New York City, I remember going down to the Lower East Side as a kid in high school, and one of the things I've loved about New York City is the dichotomy, the difference in cultures: how you can have something exist in a place that seems like it should never be there. That was something I also witnessed in Paris, people opening up restaurants in offbeat neighborhoods that seemed to bring a new life.

The Bowery always had this historical backstory of flophouses, of being a place where the down and out lived. To go down there and put a restaurant—a French restaurant—was something I thought would create an interesting dialogue. Not only that, but because I think New York City has a really narrow mind on what it expects a French restaurant to be. I always thought there were two types of French restaurants: it was the Daniels and Per Ses or it was the Benoits and the Balthazars. But what I came to love while living in Paris was that middle ground: a place that felt as casual as Balthazar but had all of the energy and creative, culinary point of view as Daniel or Per Se. To have that, I thought it would be much more impactful in a neighborhood like the Bowery versus a place like Gramercy, where it's kind of already there.

I've been seeing a ton of coverage on the awakening of French restaurants in Harlem as well, which is another unexpected neighborhood.

Yeah, it's funny because I grew up in East Harlem. East Harlem was obviously very different from West Harlem with the breakdown of different cultures that lived there. East Harlem many know as Spanish Harlem, with Puerto Rican and Mexican as the major strongholds of culture there. West Harlem has more African American culture. I grew up almost all my life bouncing in between both neighborhoods. Harlem had its deep roots to jazz and jazz had its deep roots to France, so it makes sense that that's coming to life now.

How do French and Americans react differently to your food?

From what I have experienced, a lot of the French who have come in recognize more of the historical background of some of the food. I've never wanted to impose the food onto the guests; I want them just to experience it as part of the whole environment. It's not a matter of tons of stories about the inspiration of the dish; it's just, make something that's solid and delicious and leave it up to them to enjoy. But I have had many comments from French guests who see the connections to the historical dishes, while Americans who don't necessarily know the language or the history of certain French dishes think, "that's clever," or "that's really tasty."

Which elements of French cuisine are most prominent in your dishes and which have you left behind?

I like cooking in a much lighter fashion. We almost never make a roux. I wanted to get away from the association that French food needs to be weighted. It's because of a lot of those types of sauces that were used over and over again for such a long period of time. But if you look at Nouvelle Cuisine, you'll find a lot of the chefs were trying to go away from those classic sauces to get much lighter fare, which I think is much more approachable and current. People are trying to eat lighter and healthier, and there are ways to achieve that while still paying homage to the classic French cuisine. It's just taking a slightly different perspective.

Katie Burton

Is there one element that makes the perfect dish?

Brightness. I think everything, whether it's a meat or a fish or a vegetable has to have an element of brightness to it. That brightness changes from dish to dish; it could be acidity, it could be a spice, but it always allows things to shine.

American cooking is meat-focused and vegetables play less of a role, while the French have a different perspective on vegetables. How do you convince Americans that vegetables can be the stars of a dish?

I grew up vegetarian from when I was about six years old until I was maybe twelve or thirteen. Occasionally my mom would cook fish, but 90% of my meals were vegetable-oriented. It wasn't until I turned thirteen that I got a little side job, made some money, and was able to go buy a burger at McDonald's. But I love vegetables. I love the colors, the textures, and all you can do with them. If you begin to look at them as a hurdle, as something to really learn from and dive into, you can make a lot of wonderful recipes with them.

When I go out to eat, I want to get up from the table feeling rejuvenated. It's the difference between eating a gigantic salad or a 12-ounce piece of red meat. Both will make you feel full, but one's going to make you feel rejuvenated and one's going to make you feel weighted. The balance between them is important.

When we're creating a fish dish, there's almost always vegetables involved. The discussion is much more about the preparation of the vegetables than it is about the preparation of the fish. The fish—either you're going to sear it, poach it, or roast it—whatever it is, you have limited options. But what you can do with everything else needs to be thoughtful so it complements and unifies the dish in its entirety.

I think that one of the things that I really enjoyed about Alain Passard's cookbooks and his philosophies was also looking at the colors to play with. He's such a visual chef. I love the idea of having color being a driving force behind the food. You don't even have to think about flavors, you could just think about colors. This looks like a great composition; how do I tweak it so the flavors are unified?

I think chefs have to have an artistic gene in them, as food is such a multisensory experience. How does art play into your dishes?

I love the idea of being able to play with colors and create something that's captivating, that has layers and depth and isn't quite the same painting that's been painted. A duck confit for the most part, will always look like a duck confit, so there isn't much of a visual perspective. But if you begin to play with things, it can have a different appeal, a different voice, and a unique point of view. It's like taking an idea of what the preconceived notions are, but thinking perhaps if you break it all down and play with each element as a different color, you then create something that looks very different, but the flavors still come together as something very recognizable.

What's the next frontier for Rebelle and for you?

Right now, we're in the process of opening up a restaurant in Philadelphia in June, so that's going to be my next expansion. As for Rebelle itself, I've been really considering what we can do to grow; how can we take the next step, how else can we use the space in a different fashion so we can create more contrast? We've been discussing implementing a tasting menu, which we've done at the Chef's Counter, but doing something that's a little bit more global. Maybe doing four or five courses for a lower price, much more in the spirit of Chateaubriand or Septime, which allows a lot of creativity to be offered. I think the problem here in New York is that we've realized (and by we I think the city in general), that it's very hard to run a tasting menu-only restaurant, especially one that's more than what a Chef's Counter would be.

The reason Brooklyn Fare and Momofuku Ko are only 16 seats is because their demand isn't necessarily out there to seat 120 people every night. Chateaubriand was able to do that. They would do 180 covers on a Friday night and Saturday night, and that was because the culture was much more open to that. New York, I don't think we've gotten to that point just yet. But the idea is to offer that at Rebelle while still giving an à la carte, and perhaps creating more of a contrast between those two. Maybe by pivoting the cuisine slightly more traditional. While you're having your Steak Frites, the table next to you is having a four- or five-course menu. I don't think there are many places you can go in New York City like that. New York City's not a place where you can stay stagnant. You have to be evolving, and I think that's an important source of the energy of a restaurant.

Katie Burton

You said New Yorkers have a long way to come before accepting a tasting menu culture. But do you think that French culture is well-represented in New York?

I think that there are so many big steps that have already been made. That's definitely occurring. I see it occurring in pockets, not so much across New York City, but neighborhood by neighborhood. Like we said, there's places like Harlem or the Lower East Side, or parts of Brooklyn where communities are coming together. I think that as these pockets grow, so will the conversation. And as that conversation grows, so will understanding, and with understanding, there's usually acceptance, especially in a city like New York.

Do you think Americans are growing more interest in France?

I think it's definitely drawing interest, and I also see that when I was living in Paris there was a large expat community out there. Living here in New York City, there was a large French expat community here. There's always been this sort of love/hate relationship between the two cities; it goes back decades. It's also much more present now because of all the access to information that we didn't necessarily have so many years ago, with the rise of the Internet, with the rise of Instagram, and all the other media outlets. People feel much more connected. It's easier to create those bonds, and as a result I think there is much more of an interest that has grown: a mutual interest. It's a collaboration happening from both sides. Brooklyn Brewery opened up a brewery right outside of Paris. French chefs are coming here to New York to open up their outposts. There's a lot of exchanging that's going on right now. It's because we're finding similarities between the two cities; they've always been there, but now they're a little bit more present.

For more on Chef Daniel Eddy, click here!

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Best Jobs for People Who Love To Travel

If you want to travel but have a job that is currently holding you back, here are a few of our suggestions for the best jobs for people who love to travel.

For many people, traveling is an amazing experience, but traveling is not always feasible because of responsibilities to work.

One way to get around this roadblock is to get a job that will let you travel and see the world. Here are some of the best jobs for people who love to travel.



A translator is a wonderful job for those who want to travel. It will bring you to many places as you work, so long as those places speak the language you can translate. The great thing about translating is the variety of work you can get by translating for specific clients or just translating for tourists in the area. You can choose what type of scene you wish to work in very easily.


A pilot fits the definition of a job that gets to travel perfectly. Now, whether you are a private pilot or a commercial pilot, you will still get to fly all over the planet. The only major problem with this job is the requirement of flight classes. But once you get your license, you can fly freely around the world while making yourself money to fund your trips.

Travel blogger

Being a travel blogger is a temperamental job but, if done correctly, it will allow you to visit anywhere you want. Writing to fans as you travel the world can be a fun and exciting way to engage with the planet. This job can be difficult to do, though, as you must be able to write consistently and capture your audience with each post.

English teacher

This may not sound like a job that allows you to travel, but schools all around the world are always looking for more people to teach English.

In this career, you would move near the school that you would teach at and live there over the course of your time there. The interesting thing about this job is that it does not necessarily require a teaching degree, depending on the school and country in question. You also get to live in a new country for an extended period.

When it comes to the best jobs for people who love to travel, these are just a few of our suggestions. There are plenty of jobs where you can travel around the world, but these ones are far-reaching and cover a lot of different lifestyles. They might seem like pipe dreams, but hey, you never know!

Seattle, Washington is a rainy, coffee-fueled, coastal town often referred to as the "Emerald City."

Located against the ecological wonderland of Puget Sound, this cosmopolitan, seaside city is a mishmash of arts, culture, history, nature, and, of course, cloudy weather. Thanks to its proximity to nature, its greenery, and its culturally rich, big-city atmosphere, the city is becoming increasingly popular, both for tourists and those looking for a change of scenery.

The Big Stops: Tourist Seattle

If you only have a few days to visit Seattle, you'll probably want to check out the area's most famous attractions.

For nature lovers and summit-chasers, there's the imposing, wildflower-shrouded Mt. Rainier.


Mt. Rainier

For foodies, there's the popular Pike Place Market, a giant patchwork of food-sellers and friendly chaos where you can purchase everything from giant crabs' legs to bottomless amounts of coffee (more on that later).

Pike Place

And finally, there's the iconic Space Needle and the Sky View Observatory, which will give you extraordinary views of the city.


Seattle Arts and Museums

For arts and culture lovers, Seattle has plenty to cut your teeth on. Don't miss the Chihuly Garden and Glass, a collection of extraordinary blown-glass sculptures by Dale Chihuly.


Chihuly Gardens

For art, there's the giant Seattle Art Museum Downtown. Seattle also offers the Museum of Pop Culture, a nonprofit that features all your favorite icons from history, and plenty of other options.

Museum of Pop

For some history, there's the Klondike Gold Rush Museum, which commemorates Seattle's history as a gold rush hub.

There are plenty of quirky attractions—like the giant Fremont Troll, the 18-foot sculpture in the Fremont neighborhood that cuts an imposing figure.


You could also take in the city from a boat—marine enthusiasts might enjoy visiting to the Hiram M. Chittenden Locks to explore the history of this port city.

Seattle, of course, also has a gritty underground side—you may know the city from its time at the heart of the '90s grunge movement.

It also has a long, storied history that has left more than a few scars. You can literally see its underground through one of its underground tours, which will take you on a walk through the "buried city," the remnants left over from before the Great Fire of 1889.

Seattle Undergroundpinterest

Natural Wonders

Seattle is notorious for its natural wonders. For a close-up view, there's the Seattle Aquarium, a marine experience that showcases the best of what Puget Sound has to offer.

For more exposure to the beauty of Seattle's nature, try the Washington Park Arboretum, a 230-acre showcase of Seattle's wetlands and natural wonders.

Washington Park

You might also pay a visit to the Alki Beach for some time with the ocean waves.


Or consider taking a more exhaustive adventure to Discovery Park, a giant and labyrinthine natural park at the edge of Puget Sound.

Discovery Parktrip

Food and Drink

Food tours are also popular options for those who want to get more intimate with the city's cuisine, and Seattle is often ranked as one of the best cities for foodies.

It's also a great place for coffee-heads. You might also pay a visit to the Starbucks Reserve Roastery, AKA Ultimate Starbucks, a tasting room that features a coffee library amongst other treats for coffee addicts.

Sarbucks Reserve

Moving to Seattle

If you're planning on moving to Seattle, locals say there's a few things you should know. First off, it is most definitely overcast the majority of the time, though the rain is rather like a mist. That makes the rare sunny day shine even more, though, locals say, in addition to fostering natural abundance.

The city is generally very congested with traffic, which can be noisy, though it offers great public transportation options, from buses to rail—regardless, you'll want to get an Orca Card for that.

Like every city, Seattle has a number of diverse and charismatic neighborhoods. For example, there's the beachy, more laid-back West Seattle.

West SeattleWest Seattle

There's the vibrant Capitol Hill, a hub of arts, culture, tech bros, and nightlife (during non-COVID times).

There's the historic and artsy Pioneer Square, featuring plenty of museums, shops, galleries, and pubs.

Pioneer Square SeattleExpedia

Fremont is a more bohemian area. Belltown is a trendy waterfront neighborhood that's close to everything.

In general, Seattle residents love the city for its proximity to nature, from beaches to glaciers, and its abundance of arts and cultural attractions. As Kimberly Kinrade said, "Seattle is for people who love culture, but refuse to sacrifice their wild nature to attain it." Residents dislike the steep cost of housing and all things that come from rising prices, including the city's large homeless population.

In general, the city is known as environmentally conscious, liberal, and dog-loving. The people are often referred to as nice but possibly a bit standoffish and cold (the "Seattle Freeze" is when you make plans to hang out and then bail, which is apparently very common). The rain can certainly get depressing, but the proximity to nature helps.

Remember, if you do happen to move: umbrellas are dead giveaways for tourists.

What's your favorite part about Seattle? What did we leave out? Let us know at @thejourniest on Twitter!


Weed World Candies Exist to Prey on Gullible Tourists

Weed is still illegal in New York, but scamming tourists is not.

You wouldn't know it walking around midtown Manhattan, but marijuana is still illegal in New York.

It does seem strange to think that perhaps the most metropolitan city in the US would be lagging behind so many other parts of the country that have legalized possession, production, and sale of cannabis and THC products, but it's true.

New York's decriminalization of marijuana has led many smokers to be more brazen with their public consumption in recent years, and Governor Cuomo recently announced plans for limited legalization for recreational use at the state level. But for the time being the sale of products containing THC is still very much illegal.

buy happiness You sure about that?

Adding to the confusion is a company that has sprung up to prey on tourist's uncertainty. Weed World trucks have multiplied at a staggering rate since they first started appearing in Midtown and the Village a few years ago. Easily a dozen RVs and vans now line the tourist-dense streets of Manhattan, advertising Girl Scout Cookies and Gorilla Glue, clad in marijuana-leaf decals and occupied by employees who are paid either to be stoned out of their minds, or just to pretend they are.

With eyes nearly in slits and an air of relaxation that suggests that customers are temporary interludes from a permanent nap, they will promise you as much as they can get away with while letting their branding do most of the work. They will sell you four lollipops for $20, which would seem like a great deal if not for the fact that they will not deliver on the strong implication that they'll get you high.

They have a Twitter account where they celebrate the supposed availability of weed and claim to "have New York locked down." They'll even sell you vape cartridges that advise you to "get medicated," and which are packed with potent doses of… flavor?

weed world truck

An employee once assured me that their candies do contain THC—maybe they wouldn't be so brazenly dishonest today—and in a drunken state I coughed up $5 to test that claim. There is a faint weedy taste to their candies, and you may find trace amounts of CBD inside, but that's it. It's a scam. There is no THC. Nothing that will give their customers the experience they're selling.

Worse than the trucks is the Weed World Candies storefront that opened in midtown in 2019. Just walking past you would swear that people were passing a massive blunt inside.

The smell is unmistakable and overpowering, except that it's fake. Whatever chemical fragrance they pumped onto the street, it was not connected to anyone smoking weed. Inside, the psychedelic wall art complemented shelves lined with suggestive candies and boxes emblazoned with pot leaf insignia.

Whatever the venue, they are all too happy to sell you overpriced hemp products and CBD creams and chocolates made to look like nugs. And if you're a tourist, or a moron like me, you might believe the scam long enough to give them money, but nothing they sell will get you high.

weed world store Hiroki Kittaka

The owners of Weed World, Judah Izrael and Bilal Muhammad—who prefers to go by "Dro Man" or "Doctor Dro"—will defend their products by claiming that they serve to promote legalization and decriminalization efforts by normalizing the idea of public sale of marijuana. But at no point in the purchasing process is the illusion that their candies will get you high broken. At no point are their customers offered literature explaining the mission of Weed World.

On their website's FAQs page, there is no mention of THC or its absence from their products, but the first question, "How much should I eat?" is answered, "It's all based on your tolerance but there's no limit." Tolerance for what? Sugar? The company—which originated in Alabama and has spread to cities around the country—mostly seems like a very profitable way to sell candy to gullible adults.

weed world wall art Nicole Mallete

The best thing I can say in their defense is that one of their trucks was recently busted by police in Saraland, Alabama, with products that "tested positive for marijuana." Assuming this isn't a screw up or deliberate frame-job by the police, it's possible that some of the Weed World trucks are using their faux activism as a front for selling actual drugs. If so, that would be the most honest thing about this company. Until that's confirmed, ignore these trucks and maybe just ask a friend for a hookup.